Serpent devours tail, lion devours sun, and the phoenix rises. It has been an exciting week here in the crow’s nest studio as you can see. Three new action, adventure, and symbolism packed works on a timely theme have emerged from the debris of spring cleaning. I’ve been having this wave of nostalgia about Lebanon, Palestine, and my father lately. I kept thinking I would write something up about it to go with work. My father was something of a phoenix as well and his spirit still rises in the lives of everyone he ever touched. The personal writing never came together. I did manage a description of the piece that ties it all together. I guess this isn’t the time for a personal exploration so here are the pictures, worth a thousand words that are apparently not forthcoming at this time. Perhaps I need a “ghost” writer.

Full description of One is the All on arianadii.com

Full description of The Green Lion on arianadii.com

The phoenix is an eagle-like bird that is said to be nearly immortal. Some variant of the phoenix appears in the mythologies of many of the world’s ancient cultures. In classical Greek myth the phoenix undergoes a death-and-rebirth cycle approximately every 1,000 years, by building itself a pyre of myrrh branches in which it is burned to ashes. From the ashes a new phoenix is born.
In modern times the phoenix is a symbol of the Lebanese people, who are descended from the Phoenicians, and of Beirut in particular, a city eternally reborn from its own ashes. In alchemy the phoenix represents the element of fire and the fiery aspect of sulphur. It also symbolizes the perfection of unified opposites, in that it reproduces from itself without need of an “other.”
Tags: · aria nadii, art

I have in my hands this small fabulous book from 1835 titled “The Young Reader”, so well rubbed in all the right ways that it is an artifact of sculptural elegance. The content is as fascinating as it’s current presentation. When I look through early readers such as this one, I don’t have to wonder why certain authorities seem determined to eradicate their existence.
There are currently attempts to pass ridiculous “Nanny State” laws which seek the physical destruction of such wonderful objects and the complete removal of their content from circulation. The value of such a book is not just in the obvious charm of aged paper, a young artist’s scribbles, and whimsical yet technically proficient illustrations. The value is also contained in the artfully chosen collection of stories, poems, and lessons.
The lessons contained therein do not attempt to dumb down or disney-fy (Fie!) certain aspects of reality. There is an odd and effecting mix of grittiness and sentimentality presenting a common sense wisdom. The young readers are addressed with respect for their intelligence, potential, and emotional fortitude. They are assumed to be capable of learning self sufficiency. This particular copy was once owned by Henrietta Henrietta who seemed determined to master the letter “y” with sepia toned ink and a feather pen. She has delightfully decorated a wee treasure containing an eclectic mix of literature, fables, and moral tales which also happen to encourage basic reading and comprehension skills.
These older books have become popular with home schoolers and educators who are fed up with the neurosis-inducing thin skinned political correctness and vapid spiritless mind-numbing nonsense favored by our current system of education. Why would the gatekeepers of culture and so-called “education” feel threatened by this material? There could be lead in the books they so claim. Lead my left butt cheek. This is pure gold.
Whether it is because so few writers of talent have undertaken to furnish good materials for a compilation like this, or whether there is a great intrinsic difficulty in writing for children so as to be instructive without being dull, and simple without being silly, it may not be certain. But it is certain, that but a few writers have been happy in the production of pieces interesting and profitable to very young children. - John Pierpont
My child, what a good thing it is that you can read! A little while ago, you know, you could only read very small words; and you were forced to spell them all, thus c, a, t, cat; d, o, g, dog.
Now you can read pretty stories, with a little help, and by and by, if you take a good deal of pains, you will be able to read them without help.
When you can read in a book, by yourself, it will be easy for you to learn a good many things, and amuse yourself and your friends by reading, and make yourself learned, and good, and happy.
See here I have got a book, that has a good many stories in it, and a good many pictures, too, that will help you to understand the stories better.
The stories, and the verses have been made by some good friends of children. They knew a great deal, and wished to have all the little boys and girls have good books to read in, to make them wiser and better.
The first story in this book is about a foolish little lamb, that would not mind her mother. And the story is meant to show that little children, as well as little lambs, should always mind their parents, and seek their advice.



The full story of The Cats Who Went To Law.
The full story of The Sagacious Goose.
Tags: · early readers

The full story is behind the cut.
[Read the rest of this entry. →]
Tags: · book pages, early readers, fables and fairy tales

Two cats, having stolen some cheese, could not agree about dividing their prize. In order, therefore, to settle the dispute, they went to court, to try the case before Mr. Justice Monkey.
His honor readily consented to hear the cause, and producing a balance, put a part of the cheese into each scale.
“Let me see,” said he; “ay, this lump outweighs the other,” and immediately bit off a large piece in order, he observed, to make them equal. The opposite scale was now become the heaviest, which afforded our judge another reason for a second mouthful.
“Hold, hold,” said the two cats, who began to be alarmed for the event,”give us our shares, and we are satisfied,” returned the monkey, “justice is not; a case of this intricate nature is by no means so soon determined.”
Upon which he continued to nibble first one piece, and then the other, till the poor cats, seeing their cheese gradually diminishing, entreated him to give himself no further trouble, but deliver to them what remained.
“Not so fast, not so fast, I beseech you, friends,” replied the monkey; “we owe justice to ourselves as well as to you: what remains is due to me in right of my office:” upon which he crammed the whole into his mouth, and with great gravity dismissed the court.The scales of the law are seldom poised, till little or nothing remains in either.
Lesson Eigthteenth from The Young Reader

Tags: · book pages, early readers, fables and fairy tales

“In order to succeed, your desire for success should be greater than your fear of failure.”
This quote scrolled past me today, somewhere in my travels. I liked it and snagged it. Now I forget who said it. Bill Cosby?
C.P. McDill and I have been talking about fear and anxiety in this context. I always pay attention to synchronicity. Sometimes inspirational quotes are thought of as hokey. I think they are helpful. Besides, it’s okay to be hokey. Why not? Fear literally is the mind killer. It can also be a mind virus that is spread around to others. What I observe is that the media and various authorities in our lives attempt to keep us in a constant state of anxiety and fear. Why? Sometimes it is a bad habit and not deliberate. There is quite a lot of subtle peer approval awarded for negativity and cynicism. We become trained to police each other in this manner.
Sometimes though, it is part of a design to keep us in a state of mind that is dis-empowered, more easily controlled, and perhaps more accepting of injustices and absurdities. One certainly can not be audacious if the mind is kept focused on fear and failure. As always, I am speaking to myself as much as to anyone else when I write up this kind of thing. Expel the “bad fairies” from your mind.
“Do one thing every day that scares you.” - Eleanor Roosevelt
Tags: · art process