Embroidered satin book with floral motif. The Whole Booke of Psalmes (London, 1639)

Embroidered velvet book with scroll and floral pattern. Orationis Dominic: explicatio (Geneva, 1583)

17th century embroidered satin book with pictorial angel and trees. The Whole Booke of Davids Psalmes (London, 1634)

Embroidered Canvas book, pictorial angel and floral motif with two red ribbons. The Booke of Common Prayer (London, 1611)

17th century embroidered velvet book cover. A Comfortable Treatise, for the reliefe of such as are afflicted in Conscience: revised the third time, … interlaced, and enlarged in many places. (London, 1620)

Front and back covers of an embroidered satin book with two sets of metal clasps. The Whole Booke of Davids Psalmes (Edinburgh, 1644)

Embroidered satin book cover with silver threads. Good Newes from Heaven. (London, 1631)

Embroidered book cover with sequins. The Holy Bible (London, 1642)

Satin embroidered book cover with threads of coloured silk ‘woven’ across upper and lower covers. The Whole Booke of Psalmes (London, 1627)

Yet another lovely and very old book I recently added to my collection is the third volume of Oliver Goldsmith’s An History of the Earth and Animated Nature which although available online through the much appreciated resources of the Internet Archive has unique and unmatched appeal as an actual object aside from reading, at least in my opinion, always being much more enjoyable from the page than it is from the screen.

The copy in my hands was published and bound in 1795. It has a badly deteriorated binding and cracked spine with it’s pages intact although a few are loose. On the opposite page of all illustration plates, there is an intriguing left impression of ghost images which have faded to a pleasing sepia tone and are really quite beautiful in their own right. I’ve always loved the language in which natural history book of this period are written and that this author refers to various species of animal as “their kind.” Various kinds of bird and amphibious creature are covered in the present volume.

Here is a passage on the Dodo. The author writes as though this species is still around at the time of publication. Whether that is true or not, his description gives some indication as to the reason for the poor bird’s past or future extinction. I’ve included photographs of the text. Larger more readable versions of all pictures are viewed by clicking through to my flickr account.

Tropical birds of the Oriole species and their manner of building nests.

In describing the inhabitants of the water, a class of animals occur, that mankind, from their place of residence, have been content to call fish; but that naturalists, from their formation, have justly agreed to be unworthy of the name. Indeed, the affinity many of these kind bear to the insect tribe, may very well plead for the historian who ranks them rather as insects. However, the common language of a country must not be slightly invaded; the names of things may remain, if the philosopher be careful to give precision to our ideas of them.

I found this Victorian Era copy of Undine by Friedrich de La Motte Fouque in the toss away bin on one of my recent book hunts. This copy, published in 1897, is illustrated by Rosie M. M. Pitman. The cover and binding are water damaged but the pages and pictures are in pretty good shape. It appears to be unread since it still has uncut pages. One of my favorite stories about a water nymph who falls in love with a mortal and is gifted with a soul. It’s rather an epic fairy tale which someone aptly described as fairy tale noir. A lovely book with a well rounded and sympathetic heroine. Mischievous and somewhat unseelie water sprite steal a few scenes. There is a later version with Arthur Rackham illustrations. I’ve scanned a few of these less well known interpretations. The detail on the Frontispiece (pictured above) depicts the water sprites who mock Undine for falling in love with a human.

“The roses and the withered oak leaves which lie upon the world represent the love and advanced age of the poor couple; the leaves burn up into a flame, the energy from heat producing a new creation in the form of a child, while the angel brings the spirit that will never die.”

“Undine, generous hearted and full of love, flies down as a dove and saves her enemy, Bertalda, and the Knight, her husband.”

“Symbolical of the Knight carried along by the impulse of his emotions, at first with his eyes open – afterward giving himself up to the destiny he has shaped for himself with his emotions.”

Now that I’ve shared a few teasers and highlights, I think I’ll curl up by the fire and revisit the world of Undine.

I’ve been deeply immersed in the wondrously weird little world of my crow’s nest studio, much more appealing now that C.P. McDill helped me re-organize it and found a way to make it reasonably warm. Another important part of “gathering mojo” for the working mode has been treasure hunting for dusty old books and their pages. I guess this replaces beach combing and gardening since I do tend to switch to antiquing in the winter months.

I’ve also been listening alternately to two amazing internet radio stations, both of which I highly recommend. My current favorite is the recently discovered Ancient FM which plays medieval and early music. I also madly love the ambient otherworldly atmosphere of Drone Zone at http://somafm.com/ and not just because they occasionally play tracks by yours truly although that is always appreciated. Both stations have a nice flow to them. I am rarely taken out of my own zone or distracted from what I am working on.

The photograph (above) is a corner of the studio arranged with newly adopted books and cheese crates, along with an antique paper cutter, restructured wooden cigar boxes, and more books from the last successful raid.

Gorgeous book from 1905 illustrated by Will Carqueville.

This is not only a nicely tattered old book. It’s actually a useful music lesson primer. I’m beginning classical guitar lessons next week so it’s just what I needed.

Oh yes! Peacocks and columns.

No idea what these are! Embroidery cards?

Last but not least, deep in some arid desert is a cool cave, an abundance of life within finding refuge from the brutal noontime heat beyond. Small luminescent creatures dwell on the walls of the black interior, making unintentional constellations to delight the eye.

Size: 6″ x 6″
Mixed media: oil, paper, ink, and varnish on canvas.

That’s all for now. I’ll be in the cave.