The photographs in this article are from an installation by artist Fumio Tachibana. The photographer is Yasuhide Kuge. This exhibition was the first time I had consciously experienced the artist, his inspiration, materials, work, and working space as inseparable. Tachibana is someone who has mastered the art of evocation. The re-purposing and re-imagining of “fragments” woven or arranged into a new whole is a important concept in my own work.

Fumio Tachibana

His subject is Clara, a fashion institute for western style dressmaking in Japan, founded and run by Motoko and Shiro Koike in 1923. They also published a fashion magazine called Yosai Shunju. The building was demolished and the magazine banned during World War 2 in 1944. I’ll take a wild guess that anything to do with western culture was not at all popular in Japan during that time. Motoko revived the institute as a classroom studio in the 1950s. When the studio was dismantled, Fumio Tachibana collected and reorganized the fragments of Motoko’s work and materials (drawings, sketches, dressmaking patterns, postwar Japanese handbills, wrapping paper, silk thread, and printing equipment) into a large scale installation of new artworks and arrangements in their own space so that the classroom itself was part of the work. There is something powerful going on here in that Motoko’s presence is strongly felt in the photographs.







Source: Communion W, 2001 Curator: Can Wong

Roses and Nails

The entire contents of the studio and library, old book pages, works in progress, and art supplies, are still in boxes and bins waiting to be moved and reorganized. I’ll have to content myself with garden photographs, beginning with the ridiculous amount of allotment pictures from a recent trip to Boston. The light, the sky, the weather, and the scarcity of other wandering bodies made it a perfect day for taking photographs. There are a few more in my previous post and a full set on Flickr.

perfect sky day

lovely old gate

 Although I would never again wish to live in a city, I have a fascination with small urban gardens and allotments. There is such an abundance of charm in small gardens with their clever use of structures and strategic plantings. The victory gardens on the Fenway create an oasis in the midst of crowds, cars, and chaos.

vegetable gardens can be beautiful

hula hoop trellis

rose strewn path

There are rusty nails and thorny branches all over the posts and gates. I know they are there to discourage vandals and thieves yet no less beautiful and sculptural in this context.

don't get too close

anti-vandalism gate

roses and nails

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